My artistic practice is rooted in an attempt to make sense of the contemporary human experience. By allowing myself to be vulnerable to this existential absurdity, I get to know it, learn how to live alongside it, and even find beauty in it. 

My process entails joining materials in conversation with one another, paying attention to what the work wants to be or become. I’m expressly interested in materials that are a part of my experience of daily life, or that replicate these experiences: primarily through sculptures made of metal, wood, wax, latex, and other organic matter. I am expressly interested in how we come to know and relate to each other, examining these relationships through documentary videography and film photography. My collage work, composed of physical trash and magazine clippings, acts as an archive of experience, almost like a journal. 

My work is highly personal—the veil between it and my mind is thin. This uncomfortably confessional work provokes the viewer to exist in a space of tension, one where they are challenged to consider their own experience of embodied existence.